JOHANNES SCHAAF`S TRAUMSTADT – SPEKTAKL PSIHOLOŠKIH SFERA
U petak 03.01. u 20:30 u Kino klubu Split možete prisustvovati projekciji filma “Traumstadt” (Dream City; 1973) nedavno preminulog njemačkog redatelja Johannesa Schaafa (1933-2019). Za prvi predprogram “Short(s) Petting” u 2020. pripremili smo vam specijalnu “Found Footage” prezenaciju koja integrira radove autora: Alvaro Angeloro, Camelia Mirescu, Gwendolyn Audrey Foster, Marie Craven, Diane Nerwen, Ricardo Vieira Lisboa, Philip Brubaker, Moira Lacowicz, Luis Carlos Rodríguez, Brian L. Frye i Katrina M. Dixon. Ujedno najavljujemo i goste programere koji će predstaviti recentne kratke eksperimentalne radove u vlastitom odabiru tijekom veljače. U produžetku ove najave donosimo kratku biografiju Johannesa Schaafa objavljenu na web portalu ruskog (Sankt Peterburg) teatra Mariinsky:
“Johannes Schaaf, German theatre and film director, was born in Stuttgart. He began his theatrical career as assistant to a theatre director in Stuttgart and then worked as a director himself in a theatre in Bremen. In 1964 he turned his attention to the art of filmmaking and became one of leading of representatives of the “new German cinema”. He has received several German film industry awards, including awards for his films, The Tattoo (1967) and Trotta (1972). In the 1970s he returned to the theatre. He has staged many productions by special invitation, and has been the principal director in theatres in Munich, Vienna and Frankfurt. Since 1976 he has worked with the Salzburg Festival. Since the middle of the 1980s, J. Schaaf has mainly been involved with opera. His main productions include Der Rosenkavalier (Strasbourg, 1996), Rigoletto (Stuttgart, 1994), Simon Boccanegra (Stuttgart, 1995), Aida (Zurich, 1997) and Otello (Stockholm, 1998), Idomeneo (Vienna, 1987, London, 1989), Le nozze di Figaro (London, 1987), Cosi fan tutte (London, 1989), Die Zauberflote (Salzburg, 1991), Boris Godunov (Munich, 1991, with Valery Gergiev), Lady Macbeth of the Mtsensk (Stuttgart, 1992), Wozzeck (Stuttgart, 1993); Eugene Onegin (Amsterdam, 1997) and Pique Dame (Stuttgart, 1999), Oberon (Zurich, 1998).”
(https://www.mariinsky.ru/en/company/stagedirectors/shaaf)
20:30
MAIN PROGRAM:
JOHANNES SCHAAF – TRAUMSTADT (1973)
“German surrealist film that tries to be a lot of things it is not. What it is, is a story about a middle aged married couple that decides to move to a freedom heavy utopia that resembles Prague and ends up being corrupt and filled with equal amounts of perversity and violence. Overly long and doesn’t deliver when it comes to shock time and instead dries up, withers, and dies before anything of value develops. “
(Bsmith8168 for Letterbox – https://letterboxd.com/film/dream-city-1973/)
118 min.; Njemačka (Zapadna Njemačka); njemački jezik (engleski titlovi); kolor
19:15
SHORT(S) PETTING
FOUND FOOTAGE
(POWERED BY AGITATE 21:C WEB-ORIENTED GROUP)
(01) Alvaro Angeloro – What We Found (Uruguay; 2018) 03:18
(02) Camelia Mirescu – Telluric Beats on Veil (Italy; 2019) 03:41
(03) Gwendolyn Audrey Foster – Dada TIme (USA; 2018) 09:04
(04) Marie Craven – Double Life (Australia; 2016) 01:49
(05) Marie Craven – Orphanage (Australia; 2017) 05:00
(06) Diane Nerwen – Where the Truth Lies (USA; 2018) 04:12
(07) Ricardo Vieira Lisboa – Volleyball Holiday (Portugal; 2016) 07:12
(08) Philip Brubaker – The Humans (USA; 2018) 04:27
(09) Moira Lacowicz – Malogro (Argentina/Brazil: 2019) 03:37
(10) Luis Carlos Rodríguez – Collage 16 (Spain; 2019) 06:28
(11) Luis Carlos Rodríguez – Collage 18 (Spain; 2019) 06:25
(12) Brian L. Frye – What Wood Is That (USA; 2016) 03:15
(13) Katrina M. Dixon & Brian L. Frye – Queen Jane Approximately (USA; 2018) 04:35
(14) Katrina M. Dixon & Brian L. Frye – The Family Album (USA; 2017) 01:02
UKUPNO TRAJANJE PROGRAMA: 64:03
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