U petak 27. rujna s početkom u 20:30 u projekcijskoj sali Kino kluba Split možete prisustvovati projekciji kratkih eksperimentalnih filmova proizvedenih u produkciji dublinskog kolektiva Experimental Film Society ćiji će prvi čovjek Rouzbeh Rashidi ovom prilikom gostovati u klubu kao selektor, promotor i prezenter filmskog materijala odrađenog u njegovoj, te u režiji Chrisa O’Neilla, Michaela Higginsa, Vicky Langan & Maximiliana Le Caina, Janna Clavadetschera i Atoosae Pour Hosseini. Za ovu priliku “redizajniran” je i Short(s) Petting intro program, pa će tako u 19:15 prije središnjih projekcija splitskoj publici biti predstavljen i 65 minutni odabir iz projekta “Studio Diaries” u režiji britanskog undergound dvojca Daniela & Clare koji su, uzgred, tumačili glavne uloge u Rouzbeh Rashidievom filmu “Phantom Islands” koji je prošlog petka prikazan u sklopu redovnog klupskog edukativnog programa projekcija filmske avangarde i prošao sramotno nezapaženo u “lojalnoj” konkurenciji ekumensko-koncilskih uradaka iz ponude ovogodišnjeg Split Film Festivala koji nesmiljenim intenzitetom sve radikalnije priziva duh Jörga Haidera i pidružene mu retrogradne totalitarne ideološke kloake u piljarskoj izvedbi lokalnih mediteranskih kolaboracionista. Program Short(s) Petting i dalje se upogonjuje uz pomoć web-oriented grupe AGITATE:21C, a za idući tjedan kada ćemo u glavnom programu u sklopu ciklusa “The Parallel Atempt – Experimental Cinema from Italy” prikazati odabir iz opusa Paola Gioloa najavljujemo i “vizualnu predigru” za koju su nam ljubazno svoje recentne radove ustupili, između ostalih, i argentinska avangardna izvedbena grupa “Leneas”, te kanonski američki filmski redatelj Jon Jost.
20:30
Experimental Film Society (an Irish company dedicated to the production and screening of experimental cinema) is a group of filmmakers dedicated to the creation of uncompromisingly personal, formally challenging filmmaking. Based in Dublin, it has succeeded in forging a new and radically alternative Irish cinema. Its defiantly independent vision, both deeply informed by film history and utterly modern, has animated over five hundred shorts and features since 2000. Its films adopt an exploratory approach to filmmaking and foreground mood, atmosphere, visual rhythms, and the often-startling sensory interplay of sound and image. As EFS filmmakers experiment with cinema, they allow it equally to experiment on them, creating richly experiential works that chart an uncomfortable territory that is at once uncannily familiar and utterly alien.
PROGRAM:
1 Bogna Kirchoff By Chris O’Neill (2019) / 6mins / Ireland
Bogna Kirchoff takes imagery from a 1970s espionage thriller and warps the imagery into a surreal abstract film focussing on one supporting female character.
2 Homo Sapiens Project (161-170) By Rouzbeh Rashidi (2013) / 8mins / Ireland
Rashidi’s Homo Sapiens Project (HSP) is an ongoing series of personal film experiments that range from cryptic film diaries and oneiric sketches to fully polished features. Installments 161-170 link a formally aggressive repurposing of Hollywood reels with an idiosyncratic appreciation of the wonder of science fiction.
3 Olive (2019) By Michael Higgins / 11mins / Greece – Ireland
Although clearly filmed in our time, Olive uses the scratchy beauty of hand-processed celluloid to help evoke a mood of ancient ritual. A group of people gathered in the remote countryside are absorbed into frames that often resemble the hand tinted colours and decaying textures of unrestored early cinema. Cinema is made to haunt the present like a ghostly vision from the past.
4 Brine Twice Daily (2015) By Vicky Langan / Maximilian Le Cain / 20mins / Ireland
Brine Twice Daily is a film that came from the sea, from the depths, and it never truly escapes its salt-encrusted origins. A bizarre romance that is at once an absurd comedy, a horror/adventure B-movie, a cryptic home video and a fading seaside postcard stuffed into a bottle and cast adrift on the ocean, Brine Twice Daily marks a new departure in the Langan/Le Cain filmmaking partnership.
5 The Underworld (2019) By Jann Clavadetscher / 17mins / Ireland
This hallucinatory trip through the psychedelic recesses of science fiction begins in the flickering bowels of the earth. An explorer played by Cillian Roche undergoes a bizarre mutation in which cinema itself might possibly play a part. Clavadetcsher’s gorgeous 16mm colours and dazzlingly intense editing are underscored by a characteristic lightness of touch.
6 Antler (2018) By Atoosa Pour Hosseini / 15mins / Ireland
Pour Hosseini’s work with Super-8 conjures a mysterious territory that exists between memory, subjective perception and the objective materiality of the filmed image. Antler pushes deeper into this realm, seamlessly combining archival footage of animals and reptiles in their habitats with newly filmed material of the artist and an assistant at work in a botanical garden.
UKUPNO TRAJANJE PROGRAMA : 77 minuta
19:15
SHORT(S) PETTING
“DANIEL AND CLARA”
Studio Diary Series
Studijski dnevnici započeti su kao serijal od 100 kratkih filmova u režija Daniela i Clare tijekom 2018. Svaki segment snimljen je, montiran i plasiran putem web-a u samo jednom danu. Tijekom vemenskog perioda od sedam mjeseci. Ovi kratki filmovi svojevrsne su video bilješke izvođenja svakodnevnih umjetničkih kreativnih praksi, ali istovremeno predstavljaju i više od pukog dokumentiranja. Studijski dnevnici su kreativna misao u djelatnoj praksi. Svaki segment reprezentira istraživanje filmskog jezika, jezika pokretnih slika, te tumači kako se narativno i intencionalno konstruiraju u odnosu između zvuka i slike. Za ovu priliku Daniel i Clara pripremili su selekciju kratkih eksperimentalnih radova izolianu iz ukupne mase od prvih 100 filmova, uključujući i za sada posljednju instalaciju naslovljenu: SD103: Snakes & Ladders (SD103: Zmije i ljestve) koja u 32 minute duljine eksperimentalnog video eseja referira na filmove i spise britanske feminističke filmske teoretičarke Laure Mulvey i filmskog teoretičara i redatelja Petera Wollena.
Bio: Daniel & Clara, two humans one artist on a journey of exploration of dimensions real and imagined,the results of which consist of moving image, photography and performance.Alongside their work as artists they have also programmed screenings in the UK and abroad, and they publish Film Panic Magazine, a publication dedicated to contemporary artist moving image and experimental film. They also run the Moving Image Salon, a gathering for artists working with moving image to meet, share and discuss their work, which takes place monthly at Film and Video Umbrella.
Website: www.daniel-clara.co.uk
Facebook: www.facebook.com/DanielAndClara
Twitter: www.twitter.com/DanielAndClara
Država: UK
Jezik: engleski
UKUPNO TRAJANJE PROGRAMA: 65 minuta
Projekcije petkom u Kino klubu Split edukativnog su karaktera, namijenjene članovima i ostalim zainteresiranima, ulaz je besplatan, svi su dobrodošli…
Za Kino klub Split:
Darko Duilo
…
